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Hulda Lashanska (March 15, 1893 – January 17, 1974) was an American soprano. Eschewing opera, she had an extensive concert career based in her hometown, New York City.〔"Hulda Lashanska Rosenbaum, Concert Soprano, Dies at 80", ''The New York Times'' (January 20, 1974), p. 57.〕 ==Biography== Hulda Lashanska was the youngest of three daughters born to Henry and Barbette Lashanska (her siblings were Rosie and Lillian) in Manhattan, New York.〔New York State Archives; Albany, New York; State Population Census Schedules, 1905; Election District: A.D. 24 E.D. 12; City: Manhattan; County: New York; Page: 14 (available on Ancestry.com - access by subscription).〕 She studied singing with Frieda Ashforth and Marcella Sembrich.〔 Before leaving for Europe to further her studies, Lashanska's recital debut took place on May 2, 1909 at the Lyceum Theatre in New York City, where she performed under the name "Hulda Lashan." A critic wrote "() natural ability has been guided into proper channels by thorough instruction, and even now she sings with a measure of art and understanding very uncommon in a singer of he years and inexperience. She revealed an abundance of excellent artistic material, especially a voice of vibrant quality, rich in color, and a pronounced degree of musical and dramatic temperament."〔"Hulda Lashan's Debut," ''Musical Courier'' (May 5, 1909).〕 Organized by Alexander Lambert, the concert's purpose was to raise funds for Lashanska's continued studies abroad. Her first song recital at Aeolian Hall took place on January 24, 1918. A critic remarked: "From Sembrich, who has taught her for two years, she has acquired not only the art of easy and pure tone production, but also the secrets of style and correct phrasing dependent largely, on her splendid breathing control. She is an oasis in the desert of voices."〔"Hulda Lashanska, a New Vocal Star," ''New York Post'' (January 25, 1918).〕 She first sang at Carnegie Hall in 1919.〔 "Madam Lashanska has a voice of pure and limpid beauty, artistic gifts of musicianship bestowed like the proverbial silver spoon, by the good fairies at her birth, and she has "the aristocratic note," quoted by Emma Eames.〔''New York Times'' (December 2, 1918) and reproduced numerous times in Lashanska's advertising (for example, ''Musical Leader'' (December 12, 1918), p. 569.〕 Her only appearance at the Metropolitan Opera was at the eighteenth Sunday evening concert, March 17, 1918, where she sang "Depuis le jour" from Louise and three songs.〔("Eighteenth Sunday Concert," CID:68480, ''MetOpera Database'' ) accessed 1 November 2015.〕 Lashanska first appeared with the New York Philharmonic on November 27, 1910, where she sang Franz Liszt's "Die Lorelei" with the orchestra conducted by Walter Damrosch. Her last appearance with the Phiharmonic was November 22, 1936 at Lewisohn Stadium where she sang an aria by George Frideric Handel and songs by Hugo Wolf under conductor John Barbirolli.〔"Digital Archive," ''New York Philharmonic'' website, accessed 1 November 2015.〕 An unnamed critic wrote "Her singing merited praise for tonal quality and mellowness along with understanding of the moods of the music. Certain oustanding high notes were somewhat vibratory, but her voice was satisfactory in volume for the taxing requirements of outdoor performance and, for the most part, produced with ample fluency."〔"Stadium Crowd Greets Return of Lashanska," ''New York Herald Tribune'' (August 11, 1936).〕 She performed for many charitable organizations.〔 She died on January 17, 1974 at the age of 80.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hulda Lashanska」の詳細全文を読む スポンサード リンク
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